Whether
you are using flash or tungsten the basics of good photographic
lighting are the same. In the world ' outside ' the studio nature
has but one light source - the sun. The light from the sun is
also reflected off other surfaces, i.e. the ground, buildings
or diffused through clouds etc. In the studio a photographer
starts from the same position, that is one light.
From
this one dominant light the photographer creates the main highlights
and shadows. Other lamps are then arranged to fill in any shadows
that are too deep or to create secondary effects shadows. The
first light will usually be nearer the subject and the most
powerful. The secondary light/s tending to be on the opposite
side of the subject to the dominant light.
As
well as photographic lights the photographer can make use of
reflectors to bounce light from other lamps back onto the subject.
This in effect acts as a secondary light on a lower power setting.
Indeed many superb portraits can be made with just one main
light and a reflector. This reflector can be constructed from
polystyrene sheeting, or wooden paneling painted white. Paper
or card can also be used.
Frontal
Lighting:
A
light is placed in front of the subject. Here it casts no definite
shadows that are visible from the position of the camera. This
renders the subject in a ' flat ' or shadow-less nature.
Top
Lighting:
When
a light is placed directly above the subject all shadows are
cast vertically downwards. This type of lighting emphasises
projecting features and depressions. This is not a natural lighting
method, the results look odd but can be used to creative effect.
Side
Lighting:
A
light placed at one side of the subject illuminates that side
brightly but leaves the other side in darkness This type of
lighting is accepted as natural, especially when used with a
reflector or second light at half power to lighten or fill in
any shadows.
Lighting
from Below:
Placing
a light directly below, and pointing up towards, the subject
casts shadows upwards. This type of lighting doesn't occur in
nature and looks artificial. It is often used for dramatic effect
as images made via this form of lighting can look sinister.
Lighting
from Behind:
When
a photographer places a light behind the subject all shadows
are cast towards the camera. If the light is placed directly
behind the subject a brilliant rim of light will surround the
sitter. Rim and back lighting are seen in nature, against the
sun for example, so are accepted as natural. This type of lighting
does leave the front of the subject in shadow, so are usually
used as an effects light as part of a larger set up.
A
photographer will find that there are four types of use a light
can be put to. These are:
-
Principal
or modeling light.
-
-
-
Mixed
Lighting:
It
is possible to mix daylight and artificial light but, if using
colour and tungsten light, the temperature of the lighting has
to be taken into account and any filtration applied. It is often
more practical to filter the lighting to match the daylight by
placing gels, in holders, in front of the light. Flash doesn't
need to be matched when used with daylight.
Below
are a few basic lighting techniques for you to try out.
Basic
Photographic Studio Lighting Techniques:
|
One
light placed to the right of the subject at 45 degrees and
pointing down by 45 degrees. |
|
One
light placed to the right of the subject at 45 degrees and
pointing down by 45 degrees and a reflector placed to the
left of the subject so as to bounce light back onto the
subject. |
|
As
above but replacing the reflector with a second light. This
is set to half power. |
|
Here
a single photo light is placed near the camera. The light
is diffused by either a gauze or other diffusing material
or attachment. |
|
Here
two lamps are added to the previous lighting set-up so as
to light the background. |
Photographic
Lighting Equipment:
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