Exposure
by Bruno Bisang
Published by teNeues Publishing (UK) Ltd ISBN-10: 3823845985
Bruno
Bisang was born in Switzerland in 1952. At 19 he attended the School of
Applied Arts for Photography in Zurich. After serving as a photographic assistant Bisang began freelancing in 1979. His work now sees him jetting
between Milan, New York, Zurich and Paris for customers such as Cosmopolitan,
Vogue Homme, Photo, GQ, Deutsche Vogue, Chanel and Givenchy. Bisang draws
much inspiration from his fascination with the films and stars of the
1950's - it was from avidly watching these films as a youth that he first
realised that he want to be a photographer. It could be argued that his
style of imagery falls into the same camp as Andreas H. Bitesnich in that,
unlike say Roy Stuart or Richard Kern, Bisang's camera and eye tends to
fall upon examples of what could be seen as idealised perfection.
The book
opens with a one page attempt at a 'poetic' introduction from Muriel Amori
that, as with all the text, is reprinted in 5 languages. The photographs
are peppered with short paragraphs by Bisang such as this one from the
inside cover:
"I
believe that I have the ability to entice from a woman something that
she has within her, without her being aware of it. To present her in a
way that she has never seen herself before. To enable her to discover
something in her own inner self which has until now been unable to surface.
I transfer my own sensitivity to her; I give her my all. From within this
common universe my pictures emerge."
Given
that the models are all examples of Amazonian idealised perfection and
include Claudia Schiffer, Tyra Banks, Carré Otis and Monica Bellucci
- it is hard to accept the claim that they have been shown something,
in these photographs, of their inner self "which has until now
been unable to surface." But then this reviewer has often made
plain his cynicism with regard to much of the text that accompanies photographic
monologues. Photographs should be allowed to speak for themselves and
when they are as good as the ones exhibited within the pages of 'Exposure' why detract attention away by trying to explain them?
The book
ends with a selection of photographs entitled 'Video Prints'. These heavily
pixilated, low resolution, digital images are a welcome addition as they
offer a counter and contrast to the preceding photographs of perfection
and may point to a new direction for Bisang.
Within its
200 heavy weight pages are approximately 150 duotoned and colour photographs
- for the most part printed one per page. The large format, hard-backed
limited edition version, of this beautifully printed and prepared volume,
comes complete with an attractive slip case.
Review by
Christopher John Ball
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